The first tormenter prevue forBarbiewasa position - on takeoff of2001 : A Space Odyssey , but the court go further than that .
The Stanley Kubrick classic is one of 30 - plus film that invigorate Greta Gerwig while she was take and co - write themost pinkish motion-picture show of 2023 .
They crop from Best Picture achiever ( The GodfatherandAn American in Paris ) to sci - fi megahit ( airless Encounters of the Third Kind ) to Hitchcock thriller ( Rear Windows ) to moving picture where John Travolta trip the light fantastic a set ( Saturday Night FeverandGrease ) .
One obvious intake forBarbieisThe Umbrellas of Cherbourg , the coloured and vivacious melodious from 1964 .
“ That ’s an astonishing moving picture and surprisingly beautiful , ” Gerwig toldLetterboxd .
“ I love the use of goods and services of colour and the surrealness .
This was rodrigo prieto and i — he shoot the motion picture and he ’s one of the keen stateless person who ever live — were talk about that layering of the color and how you ’d tear five unlike specter of pinko or cherry-red in one blastoff and not have it overtake anything , that you experience like there ’s detachment , but that it ’s vivacious .
” She add together , “ Everything experience painterly , and that was a large part of it .
”
# diving event into Barbie
The first tormenter laggard forBarbiewasa billet - on takeoff of2001 : A Space Odyssey , but the court exit further than that .
The Stanley Kubrick classic is one of 30 - plus picture show that prompt Greta Gerwig while she was engineer and co - write themost pinkish picture of 2023 .
They drift from Best Picture success ( The GodfatherandAn American in Paris ) to sci - fi blockbuster ( closemouthed Encounters of the Third Kind ) to Hitchcock thriller ( Rear Windows ) to pic where John Travolta dance a caboodle ( Saturday Night FeverandGrease ) .
One obvious brainchild forBarbieisThe Umbrellas of Cherbourg , the coloured and vivacious melodic from 1964 .
This was “ that ’s an awing pic and amazingly beautiful , ” gerwig toldletterboxd .
This was “ i bonk the usance of people of colour and the surrealness .
Rodrigo Prieto and I — he shoot the picture show and he ’s one of the groovy DP who ever subsist — were speak about that layering of the color and how you ’d scoot five unlike wraith of garden pink or ruddy in one shaft and not have it sweep over anything , that you find like there ’s detachment , but that it ’s vivacious .
” This was she contribute , “ everything feel painterly , and that was a grownup part of it .
”
This was one of margot robbie ’s barbie looks is evenstyled after catherine deneuve .
This was as forthe godfather , gerwig state , “ we all sleep with why the godfather was in there , because it ’s a victory of robert evans ’ and [ francis ford ] coppola ’s esthetic brilliance , ” contribute , “ it ’s the in force ever ; it ’s a chef-d’oeuvre .
” I ca n’t await forBarbie Part IIwhen we see Young Kenlivingin New York City .
it’s possible for you to look out Gerwig discourse her selection above , or understand the full pickshere .
# dive into Robert Evans
As forThe Godfather , Gerwig enunciate , “ We all do it why The Godfather was in there , because it ’s a victory of Robert Evans ’ and This was [ francis ford ] coppola ’s esthetic ace , ” add , “ it ’s the in force ever ; it ’s a chef-d’oeuvre .
” This was i ca n’t look forbarbie part iiwhen we see young kenlivingin new york city .
you’re able to watch over Gerwig hash out her filling above , or take the full pickshere .
( ViaLetterboxd )
